The Just Cavalli woman dances to the rhythm of life, in a place where Roberto Cavalli invites young people to share his own fashion story.
Good vibrations and touches of romance charge the scene with energy, giving inspiring messages of love and peace on the clothes, using micro-patterns that reproduce the symbols of a timeless counterculture. We thus become enraptured by the desire to get on a plane and be transported to the island of happiness.
The elegance of dresses and jackets with an urban cut meets the lightness of shirts and mini-skirts with bold, feminine lines, transforming a woman’s silhouette into the star of an open-air concert, in which each frequency enhances the details.
Tiny daisies, hearts, lilies and small butterflies dominate the patterns on the clothes, in which the chromatism of vivid polka dots becomes brilliant movement, creating spots of light that allow space for bodies and materials combined with assonance. The slim, linear shapes of the trousers dress the body in a feminine way, while in our imaginations, the musical counterbeats are provided by the transparency of the chiffon dresses and pleated skirts. The high notes in this modern, dynamic score therefore become the studs on the biker jackets, reworked like bright pearls to keep in line with the harmonious soul of the collection.
The miniature textures of animal prints provide the lively beat with which the garments conquer the big stage where the brilliant symphony of colours comes to life: ivory, sky blue and pink alternate with white and black, accompanied by red, light blue, yellow, purple and emerald green. Chiffon and jacquard cottons for the peaked collars and ruffle skirts, prints adorn jackets and knitwear, leather creates the trousers and inlays, bringing onto the stage a sensual melody combining stories of style and images of life from every corner of the world. Inspirations and visions succeed in renewing volumes and graphic elements, engraving the dream of a collection that aims to speak about freedom and universal love.
